Defining Art from Form
“Any work that aspires, however humbly, to the condition of art should carry its justification in every line.” - Joseph Conrad
When you finally decide on a course of action, all the usual psychological blocks are bound to occur. Where shall I begin? Have I a right to make a choice, based on any sensible guides? Is a piece of ceramics a work of art? Is a piece of Tiffany glass? Is a rug designed by Matisse? Should I buy a painting… a print… a drawing?
There is no crystal-clear answer. As I have tried to indicate in foregoing chapters, you are dealing with your own personal reactions, as well as with certain rules and laws which are vague, at best.
One of the first muddles that need clarifying is the sharp line often drawn to set off arts from crafts. I cannot see why these two should be so summarily opposed to each other. How can anybody decide at first blush that a man who has a sense of form, an eye for color, and a definite quest for the beautiful is producing only a vessel - if he spins a lovely pot on his wheel, applies glowing glazes, and fires his work to produce a handsome jar glowing with a jewel-like finish? Yet there are critics and collectors who would dismiss the man’s work with a snobbish shrug that it is a fine example of the potter’s craft… but as a work of art there is no room for it.
Why, I ask, this strange, if fine, distinction? Is it because the jar is intended for functional use and the higherbrows believe such a pragmatic approach precludes it from joining the upper world of “fine arts”?
Let us go back almost 3,000 years to a Greek potter in his workshop as he formed a vessel for oil or wine. The term “vase” is now applied to most of the early Greek ceramic pieces; but their original purpose was functional… for everyday use. On such vases we see indications of an entirely new way of looking at things by the artist. He was no longer hidebound by the old style he had inherited from earlier Egyptian forms. Yet there was still the same regard for a sharp outline and exact symmetry. So vases from this period are not only valuable for their beauty of color, dimension, and proportion; they are esteemed for their obvious role in shaping a new course for the artist to follow as he broke the shackles of a hardened past. Yet it is clear that the objects as originally created had a humble purpose indeed. Such intent has not lessened their artistic validity or value.
Let us go even farther back into history. Museums which own objects from the Sumerian period display them proudly. In the University of Pennsylvania Museum there is a gold cup used by Queen Shu-Bad of Mesopotamia. It has a graceful form, a delicate gold color, and intricate decorative fluting. Obviously it was designed to provide the queen with a drinking vessel. Is it therefore less beautiful than it would have been had it lacked practical purpose?
The same will naturally apply to the pottery tomb figures of the Ming dynasty in China… to T’ang glazed pottery… to the heroic bronze cats and baboons of the Egyptians. Recently I saw a cover design for the bulletin of the Museum of Fine Arts in Boston, showing a drawing of an Incan Empire Poncho, made about 1500. It was an almost pure design… with cubes of black and white. At the top was a reverse triangle of deep brown. I have seen many paintings of the abstract school which could have hung side by side with this poncho reproduction.
So I say: judge by the results and forget the notion that one can always erect a false fence to separate the beautiful from the functional. If the object is beautiful to you, then it is worthy of your collector’s eye and instincts. This attitude can open up many new fields to you - for example, the folk arts.
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The Greatest Renaissance Painter and Engraver of All Time
When Albrecht Durer died in 1528 he left some 80 paintings, over 100 etchings, about 200 wood carvings and 800 drawings behind as his cultural legacy. His artwork has deep stories and hidden inner meanings of which many have only been theorized on. Below are some of his works and the theories on the meaning behind them.
Knight, Death and the Devil (also known as The Rider):
An engraving carved in 1513 by Durer, Knight, Death and the Devil, also known as The Rider, represents an allegory on Christian salvation. Unflustered either by Death who is standing in front of him with his hour-glass, or by the Devil behind him, an armored knight is riding along a narrow defile, accompanied by his loyal hound. This represents the steady route of the faithful, through all of life’s injustice, to God who is symbolized by the castle in the background. The dog symbolizes faith, and the lizard religious zeal. The horse and rider, like other preliminary studies made by Durer, are derived from the canon of proportions drawn up by Leonardo da Vinci.
The Knight and the Landsknecht (Soldier Servant):
This woodcut was created in about 1497. It has been suggested by Friedlander (universally recognized as the greatest expert on Dutch and German paintings) that the subject is Saul on the way to Damascus to pursue the Christians who had fled Jerusalem.
Three Peasants in Conversation (Marketplace Peasants):
This scene has been connected by a number of commentators to the peasant uprisings of the period. It should be remembered, however, that Durer’s wife Agnes sold her husband’s woodcuts and engravings in a stall in the market square of Nurenberg , as well as at the fairs in other cities. Peasants were ever-present at these events, as vendors as well as buyers. The sword which the pheasant uses for a cane is similarly used as a satirical accessory in Martin Schongauer’s engraving, Pheasant Family Going to to Market.
This engraving is related to the Sol Justitiae and to the Rustic Couple in technique, especially in the horizontal shading devoid of crosshatching.
The original plate was sold to Prince Dolgorouky, a Russian collector, in 1852. Its present wherabouts is not known. An impression of this engraving is on display at the Museum of Fine Arts in Boston.
Peasant Couple Dancing (also known as Dancing Peasants):
There are different views and theories on what Durer intended by this image.
Koehler describes this print succinctly as follows: For individuality and for the happy expression of a transient mood in face as well as pose, these Dancing Pheasants are quite as much without rivals in Durer’s oeuvre as knight, Death, and Devil.
Wolfflin comments that in spite of the elephantine stamping of their feet, the impression and the form are magnificent. The pheasants are not shown sneeringly as earlier, but as a character study.
Tietze finds that the group fills the picture area in a magnificent manner and, in spite of the massiveness, a feeling of their being swept off their feet is conveyed.
But Panofsky, in contrast, commented that it is a spectacle of statuesque heaviness and immobility; unambitious in content.
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Sports Posters As Wall Decorations
If you are in the market for redoing your home decorations and you have a limited budget, sports posters can bring about that needed change and facelift to your home while making it easy for your pocket most especially if you are a sports fan or aficionado. The ideas are limitless, you can let your imagination run wild and the choices of sports posters in the market are endless. You are sure to find the sports posters that will suit your taste and preference if you just know where to look.
Your local print shops or stores are sources for such posters. Usually you will find several racks of them but quite often because of their limited space they don’t carry that much inventory. If you have plans of having your sports posters framed these shops can usually give you a special discount if you have bought that particular poster from them.
The best source of sports poster would be the World Wide Web. You will find many online stores that sell thousands of sports poster designs in a wide variety of sports and at very affordable and reasonable prices. From limited edition sports posters to memorable sports history event you can conveniently search for them by category or through the site’s search section. The great thing also is that these posters are quickly delivered to you and in good condition at that. The internet shops can definitely provide you with a myriad of choices when it comes to your sports posters needs.
Sports posters make great wall paper especially with the current sports posters made with a special type of adhesive that does not in any way cause damage to your wall. If you have the desire to have them removed and changed, you can almost immediately remove these sports posters without damaging or chipping of the paint off your wall. If you have posters that have been specially autographed by sports athletes and would want these preserved on frames, it may cost you some money but they are not that expensive depending upon the material used.
When you will be decorating your home with sports posters keep in mind that you might want to have a particular sports theme to work with. You can assign different sports themes to the various rooms of your house or you can opt to have one universal theme for flow and continuity.
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Using Watercolor Instead Of Oil
Although watercolor painting is many centuries old, its application as we know it today is fairly recent. Used in the past by the Egyptians on papyrus and by the Chinese on silk, it gradually evolved to become an important medium on paper. Its original use on paper was to elaborate upon line drawings with monochromatic washes. Color followed, with the line still used for drawing and modeling of form.
It was not until Winslow Homer appeared that watercolor became a medium to be handled directly on the spot in a broad manner. While these early watercolors were used as a means of study from nature for subsequent oils, they came to have all the power contained in the heavier oil medium. Watercolor continues to be a medium that lends itself readily to painting on the spot, and working directly from nature is the most vital part of learning to handle it, aside from the original intention of studying the various aspects of nature. It is only alter a long period of outdoor study that a reasonably convincing watercolor can be made in the studio.
If you have worked in oils, you will find the knowledge you have acquired in painting with this heavier medium very helpful in doing watercolors. Experience in drawing and composition, and the training of your eye to see color, will all stand you in good stead. Now all you have to do is master the technique of handling watercolor!
To acquire this technique requires much practice. When working in oils you could finally arrive at the desired effect by much mixing of color, scraping the canvas for a fresh start, and making changes by the application of an opaque color over a previously painted area. Now you must work more directly. The beauty of watercolor lies in its fresh, transparent effect, and the approach must often be one in which the value, color, and drawing are accomplished in a single operation. However, while this is the ultimate effect you may want to achieve, a subject can be painted by separating these important ingredients into progressive stages.
The paper upon which you work is also a vital factor in imparting luminosity to a watercolor painting, because the whiteness of the paper showing through the transparent color aids in establishing a brilliant effect.
The novice has a tendency to work with too small a brush on an equally small surface. I advise you to work with as large a brush as possible and to do your early work on a half sheet rather than a quarter sheet. This will help to prevent a niggling or timid approach; the larger brushes and working size will force you to work more broadly. Later, when you have acquired more technical facility, you can work on any size.
Though preliminary drawing is always stressed, as you progress you will undoubtedly want to try other methods, possibly painting a subject directly with color or combining watercolor with other media. You will find that watercolor is an excellent medium for experimentation.
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Diving Into Drawing
Drawing has been around for centuries. In fact, wonderfully vital drawings and paintings by primitive peoples have been discovered, which proves that many thousands of years ago the art of drawing was there, innate, in mankind. Everyone can draw, for it is an inherent human trait far more natural than writing.
Unfortunately most people lose this power as they grow older, or rather it is overlaid by more complicated mental processes. It needs only the desire to reawaken it and the courage to proceed and rapidly the power to express what one sees, in drawing and in paint, comes back again.
So take courage and go ahead.
The first thing to get is a sketchbook: not too big a one but a handy pocket size that you can carry about at all times. You can of course buy a children’s drawing book for a few cents, but this has a flimsy cover and has to be folded or rolled to carry, and that spoils the page, so a sketchbook with thinnish cartridge paper and a good stout cover is the best investment in the end. See that the paper is not too thick or too rough in surface. Nothing harder than a 3B pencil is much use. Get a black Conte crayon or black chalk pencil with the wood round it, for this is the kind of pencil that will give you most satisfaction in sketching. Of course you will need a razor blade or sharp penknife because the breaking of points is a very frequent occurrence. Do not sharpen the pencil to a fine point - just a blunted point.
Now you have your sketchbook and your pencil, what are you going to look for? What are you going to start on? Don’t start straightaway on a landscape. Just focus your attention on a few simple things that are before you in the room you are in. Something the shape of which attracts your interest, say a decanter, or a wine glass, or a vase of flowers. Draw a definite shape on the blank page of the sketchbook with a firm, thick line - say a rough oblong. Count this as your picture space: into this defined shape you are going to put your drawing.
Then begin with the part of the selected object that interests you most. Perhaps it is the bulge of the decanter - boldly draw the curve of the right-hand side and then look across and draw the corresponding curve of the other side; then go upward to the lip and the stopper, drawing first one side and then the other; then look at the base, the dark curve where the decanter rests upon the sideboard. You now have the shape of the object - then relate this to the glass that is near it; notice the size of the glass in relation to the decanter and repeat the process, taking into account where the two objects are placed in your oblong space.
Continuing to practice these techniques will help you get a grasp for the way drawing should feel and ultimately look.
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Discover The Secrets To Making Model Ships That Look Like The Real Thing!
If you are looking for a new hobby or are a nautical enthusiast, you may consider making model sailboats. But how do you get started on such an endeavor? Following are things to keep in mind while you research this past time.
Unlike most hobbies, ship model making requires few expensive tools. Almost every household, no matter how small, harbors the beginnings of a fine model maker`s tool kit. The rest can be made, improvised and bought as the work progresses.
Most important of all tools to the maker of ship models is his knife. It may be anything from an inexpensive pocketknife to a high grade wood carver`s tool. Price and handle style are unimportant as long as its blade is sharp and strong and comfortable in your hand.
Now that you have the tools, you are ready to get started. When you have obtained the plans for your ship model, your first job will be to construct the hull.
If your model is to be a replica of the original, its hull, above all things, must be carefully shaped according to the accurate hull lines given in the drawings. To do this in the quickest and easiest way, you must follow some standard method of procedure.
Simplest of all standard methods of model hull construction is the “bread and butter method of lifts. This particular method gets its name from the fact that lifts of wood, cut approximately to the various horizontal sections of the hull, are placed one on top of the other and glued together. When first assembled, the side of a glued up “bread and butter hull resembles a series of narrow steps.
Once the “bread and butter lifts of your hull have been assembled, you are ready for the roughing and final shaping. However, do not pass over the cutting of your lifts lightly. The more accurate you are in cutting them to the exact lines of your plans, the easier it will be to get the finished effect that is necessary if your model hull is to look real.
Of course, it all depends on how much time you want to spend making your model sailboats as to how much detail you add.
You can get down to the smallest detail if you have the patience to do so. You can leave your model as a non working piece of art or go all the way and make it a fully functioning model sailboat, complete with rigging and pulleys. It is your model sailboat and you should enjoy making it.
After you have finished construction on the model sailboat, you will want to decorate and finish it. In applying the decorations and finishing touches to a model, the craftsman should be guided by the type, nationality and period of the ship. If your plans do not give the exact coloring, look up a historical description of the vessel.
To obtain a weathered effect on the sails, they can be dipped in coffee or tea or they can be painted or sprayed with a thin stain or lacquer. On models of very old ships, some model makers feel that it gives the rigging a touch of realism to slit the mainsail and neatly “repair the damage with a needle and thread. Such forms of decoration must be subtle, however, or they will ruin the entire effect of the model.
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Welding and Metalwork: Strength And Function
Welding is the process of getting metal surfaces to join together by using high heat to melt them together. Vices are often used to hold the pieces of metal until they have molded together. Welded metal is very strong and it is often hard to tell if two pieces of metal have been welded together. This process of welding is used in industry all the time. It is much stronger than solder or other joining techniques.
There are many types of welding. Forged welding was used by blacksmiths to put two pieces of metal together. They would get the metal hot and use a hammer to make it go together. This is believed to be the first type of welding ever used. Arc welding is commonly used today for construction and in home workshops. This type of welding uses a power source to make an electric arc.
Spot welding is a form or resistance welding. This is commonly used in businesses and on sheet metal. This type of welding allows you to weld a particular spot that other types of welding can’t get done without getting the entire surface area hot.
The type of welding you will use depends on many factors. The important thing is for the weld to be amazingly strong. Factors to consider include the amount of heat needed to get the materials hot enough, the design of the material, and the design of the joint. It is important to test the strength of the weld. Not all metals hold a weld very well. Steel and sheet metal work best.
Since you will be working with heat and often with metals that have sharp edges, it is very important that you wear heavy gloves and eye protection when you are welding. You should also wear long sleeved clothing to prevent burns. You should only use welding equipment after being properly trained in how to operate it.
Metalwork is the art of making various objects out of metal. Most metalworkers are also called machinists. They make pieces of structures or machine parts also called metalworking. This is quite a complicated job that requires patience, precision, and some concrete math skills in geometry. Luckily most machine shops have computers that will do most of the calculations for you.
There are many types of skills a metalworker needs to have to be able to design all of the various structures and machine parts needed. Milling is the process of removing the unneeded edges of a piece. Turning involves using a lathe that spins; the metalworker gets to shape the metal as it spins. Cutting involves using various tools depending on the cut you want and the type of metal you are working with. Drilling is the process of creating holes in the various machine parts. Grinding will help remove sharp edges giving the machine piece a smooth finish.
Depending on the reason why you are creating the metalwork, it may be necessary to use casting methods. Welding is commonly in metal working as well. This is a trade that requires you to have various skills with tools and knowledge of how those tools can be used on various types of metals.
It is important to be safe doing metalwork as well. The metal used is often scrap metal that was discarded so wear gloves to protect against sharp edges. Make sure you know how to properly use the metalworking tools. You should always wear eye protection to prevent getting pieces of metal in your eyes. Metalworking fluids should only be used in a well ventilated area with gloves to prevent a reaction to your skin. Stop working with metalwork fluids if you develop bronchitis, asthma, or respiratory problems. To prevent them, consider wearing a respiratory mask.
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What Do I Need to Know About Tattoos?
Are you thinking about getting a tattoo? With the rising popularity of tattoos in North America, chances are that at one time or another you have considered getting a tattoo. Before getting a tattoo, however, it is important to fully understand the process so you can assess the risks and make sure that you end up with a tattoo that you will be happy with for years to come.
What is a Tattoo?
You of course know what a tattoo is, that is why you want to get one. You may not be sure how a tattoo is created, however. Despite what it looks like, a tattoo is not drawn onto your skin. Instead, a tattoo is created by using an electric tattoo machine to inject pigments under your skin. The fact that you are having implements put under your skin means that getting a tattoo can be risky.
Making Sure Your Tattoo is Safe
You can be exposed to a number of health risks when getting a tattoo because the process involves breaking your skin. This leads to two possible problems: infectious diseases and allergic reactions.
The most significant risk in getting a tattoo is catching a blood-borne infection such as tetanus or hepatitis, or even HIV, in the worst situations. You run the risk of becoming infected if an instrument is used on you that had residue blood on it from a previous patron who carries a blood-borne infectious disease. While the potential of contracting a fatal disease just to get a tattoo may seem scary, in reality the risk of catching an infectious disease can be largely minimized in professional tattoo parlours. This is done primarily through the exclusive use of single-use tools. This means that blood will not be passed between patrons.
A less significant risk is that the trace metal elements in the tattoo pigments, particularly in red and green pigments, will cause an allergic reaction. While obviously not as serious as contracting a communicable disease, having an allergic reaction to the tattoo pigment can cause the skin around the tattoo to swell up and become itchy, and even to start to ooze fluids in more serious reactions. While allergic reactions are rare, if you have sensitive skin and are concerned about a potential reaction, have your tattoo artist to first do a spot test to ensure that you are not allergic to any particular pigment.
Finding a Good Tattoo Artisit
The most important step in finding a good tattoo artist is to look through their portfolio and make sure that their style and skill is up to your standards. You will have this tattoo for a while, so you need to be comfortable that your tattoo artist can create something you will be happy with. For a safety reasons, it is important to make sure that you only use tattoo artists that are fully licensed in your jurisdiction. Because they are licensed, they will likely have gone through a series of courses on the importance of cleanliness and hygiene. Do not, however, just rely on their license. Make sure that their studio is professional and clean. If they have a messy workspace, they will probably not be as concerned about cleanliness as they should be.
Are Tattoos Forever?
While tattoos will fade over time, this is a very drawn out process that cannot be relied on to quickly remove a tattoo. That means, in order to avoid embarrassment, make sure you only get a tattoo that you will be happy having for the rest of your life. Of course, in egregious situations, a laser treatment can be used to accelerate the natural fading process. This process, however, is not perfect, requires repeated visits to the technician, and in rare situations can even cause permanent scarring. Which is all to say that it is easier to make sure you will be happy with your tattoo before you get it.
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Learn All the Secrets of Belly Dancing
The word belly dance, is a western name for an Arabic style of dancing. In Arabic countries it is simply called oriental dance and some American enthusiasts call it Middle Eastern Dance.
Belly dancing is a form of dance that is not so widely acknowledged in America and other countries, but there is still a large following in the vast ethnic sector. There is a lot of debate in the community as to the exact origin of belly dancing. Some believe it descended from early Egyptian dances, others say it is derived from religious dances and some say it comes from the migration of the Roma people, with Indian origins. No matter where it comes from, the fact remains that it is an exquisite form of dance and its popularity and following grows every year.
Belly dancing is a great way to increase fitness. It is a very active and energetic style of dance, which elevates the heart rate and increases cardio vascular ability, so one of the many benefits of this form of dance is to elevate fitness level, and burn fat. It also helps to stretch the muscles, and limber the joints up so that the participant becomes more nimble and agile. With these two health related factors, it shows us that it’s a great hobby for those with a few extra years on the clock to keep them young and vital, and also just for the general health of people of all ages.
This style of dance can be tailored to suit anyone’s personal abilities, so that it is not overly strenuous on the cardio vascular system, or on the stretch in the muscles. The fat loss aspect is something that belly dancing has actually been manipulated for. Some fitness experts have used belly dancing in personal training regimes to help a client lose weight effectively. This is possible because it is a fun activity, so the client will be happy to perform a certain amount of belly dancing practice each day to work towards their fitness and weight goals.
Males in belly dancing are not very common however there are some males in this form of dance that are very masterful at the art. Even though they are amazing in their performance, they are sometimes not looked upon with much respect in the belly dancing community, as it was an art created by women, and was not intended for men to perform. This topic is one of much debate with the introduction of women’s rights, why shouldn’t men be able to do the same things women can do, and so on.
All these factors make belly dancing an ideal activity for anyone of any skill level or age. It is both fun and good for physical fitness, so there is a number of positive’s and no negatives. Give it a try!
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How to Create Your Own Photo Mosaics
Photo mosaics are rising in popularity all over the world. You have probably seen one somewhere such as in your child’s school, your local library, a medical office or elsewhere. They are beautiful, large photo mosaics that will catch everyone and anyone’s eye. You just can’t take your eyes off of these wonderful photos. There is so much to look at and so much to discover in a photo mosaic.
So, What is a Photo Mosaic?
A photo mosaic can also be known as a Photomosaic. This is a type of imaging art that is completely unique from the rest. A photo mosaic is usually made from a digital photograph ‘ this would be the best type of image to use. You could also use another type of picture, but for the sake of this article, we will focus on creating photo mosaics from a digital photograph.
To begin, the photograph needs to be divided into equal rectangular sections, as small as you want them to be. They should be small enough to create a great visual effect, but not too small so that someone looking at the finished project could not see them. They also should not be too large, because then it would look a little odd and probably not create your desired look.
Every one of those rectangular divisions will be replaced by another image with normal colors. When you look at the image at a distance (let’s say you are using a digital photograph of your favorite cat to create a photo mosaic) you would only see the cat. However, you might notice that the photograph’s resolution is a little off, or that something seems to be different about this photograph. When you stand close to the photo mosaic you will notice that there are many different photographs infused within the photo itself. How interesting!
You can use many kind of photos for the mosaic part of the digital photograph you want to. For example, in your favorite cat’s photo mosaic you could use many different photos of your cat to make up your photo mosaic of your cat. So, when you see it from a distance, you will see a large photo of your favorite cat. However, when you look closer you will see many different photos of your cat doing other things in the equal rectangular sections!
Who Invented the Art of Photo Mosaics?
There is no real known inventor, but one man that is believed to be the inventor of photo mosaics. His name is Joseph Francis, and he created a photo mosaic in 1993 while working for R/Greenberg Associates in Manhattan. He made a poster known as the ‘Live From Bell Labs’ created a lot of talk. He created the photo mosaic from a photo of a face. However, his photo mosaic was inspired by an artist by the name of Chuck Close.
How Can You Make Your Own Photo Mosaic?
You can create your own photo mosaics to decorate your home, give as gifts and more. You will need some certain supplies to make a photo mosaic.
Supplies -
A digital camera
Appropriate software
Good color printer
Your one photograph
The other photos you will be using as the smaller images.
There are quite a few different kinds of software that have been created to help you create your own digital photo mosaic.
Here are some software to choose from -
For Windows:
AndreaMosaic
Imosaic
PhotoMosaic
PicToBrick
For Mac:
MacOsaix
PicToBrick
For Online:
Mosaicr
Mosaickr
There is a lot of software to choose from when looking for something to help you create a photo mosaic. However, if you know that you are going to be creating a lot of photo mosaics, you might want to have a company take care of all of it for you. They should be able to print and mail it for you, as well.
Decorate your home and wow your guests! Give one as a gift and be remembered. Your own digital photo mosaics will probably be very personal to you, and you will be able to enjoy them for a long time. If you are going to give one as a gift, it will also likely be personal and dear to the person you are giving it to. Photo mosaics can be a way to easily decorate your home that will add a personal touch to your walls. It will definitely be quite the conversation piece when you have guests, friends or family over to visit.
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